The words text
and texture share a common latin
root- TEXO- to weave; to braid together; to construct with elaborate care.
This surprising, yet intuitively clear bond of meaning
serves as the central metaphor for this suite of photographs. Language and
sensation- the textual and the textural- are processes of pattern perception.
Meanings are woven from words just as lived experience is interlaced with
bodily feeling.
To me, the hand-made, physical photographic image is
the ideal way to express how concepts have a tactile presence because they are woven, because they are
stitched together from what Barthes calls a “tissue of signs.”
I work in an antiquated, hand-made photographic
process called Wet Plate Collodion, because I think it is uniquely suited to
expressing these ideas. Every image made
with this process is a balance of the orderly organization of information
through the glass lens of the camera, with the unpredictable and unavoidable
chemical and physical randomness in the plate that records the image. By photographing degraded reference texts,
plaster molds, and other materials that record the physical actions taken upon
them, my goal is to make images of undeniable and unashamed beauty, that speak
of the deep connection between ideas and their physical manifestation.
All images are archival Inkjet prints made from Wet Collodion negatives, 22" x 30".
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Consecratio |
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Charta |
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Scidia |
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Arced |
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Astrum |
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Swerve |
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Fluctuo |
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Charybdis |
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Atomism |
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theCatholic |
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Glass |
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Blank |
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SYN. see LIE |
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Abductor Pollicis |
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Mare Tranquiliatus |
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Ruminate |
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Irrigo |
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Contexo |
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Egyptians Jerusalem |
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CYCL |
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Crease |
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